
No Dollars, No Dreams
Not in
Shirley Jackson’s
lottery, anyway. Her most famous (or infamous) story has zilch to do with winning Megabucks. When
“The Lottery” was first published in
The New Yorker back in 1948, readers reacted with shock, confusion, and nasty letters.
On December 14th, Jackson would’ve been 93 (or 90, depending on the source), but her stories are timeless. How ironic that one of my favorite psychological horror writers also wrote humorous accounts of bringing up children (
Raising Demons and
Life Among the Savages).
Her obituary said that because she wrote so often about ghosts, witchcraft, and magic, people said she “used a broomstick for a pen.” Her obit also said she had lots of black cats, “and believed she had caused the accident of an enemy by making a wax image of him with a broken leg.”
Jackson was born in
San Francisco, grew up in
Burlingame, California, and then moved to Rochester, New York. At
Syracuse University, she met her future husband,
Stanley Edgar Hyman, who would become a literary critic. After she died in 1965, Hyman published
The Magic of Shirley Jackson, a posthumous anthology of her short stories. In his preface, he wrote that “she wanted always to be interviewed, to explain or promote her work. . . .” My impression was that she feared people wouldn’t understand what her stories and novels were saying.
It’s been years since I first read her short story collection,
The Lottery and Other Stories. As a teen, at my local theater guild, I’d read a dramatized version of “The Lottery.” I forget which part I was cast as, but it wasn’t the lead. In any case, the play was cancelled.
The Lottery and Other Stories contains three selections that have disturbed me to this day.
In
“The Daemon Lover” (1949), the nameless female lead is a frumpy, finicky thirty-four-year-

old, preparing for her “too good to be true” wedding. The groom-to-be is “rather tall, and fair. . . . a young man. . . .who wears a blue suit very often.”
Mysterious? You bet! This “groom” is actually
Jim Harris, a modern-day Devil: “The Daemon Lover,” based on the popular
British Child ballad 243.
“James Harris” is a running character in many Jackson stories. Always, he’s faceless and enigmatic, but in “The Daemon Lover,” he’s unseen. You know from the get-go he stands up the lonely fiancée. You sense he had
no intentions of marrying her, that this was a cruel hoax. Early in the story, Jackson writes:
“ ‘Ten o’clock then. I’ll be ready. Is it really
true?’
And Jamie laughing down the hallway.”
In the article,
“Shirley Jackson: Creepy,” from the ezine
American Nerd, Amethyst Vineyard writes, “With the Jims and Harrises come change, both destructive and revealing. Is that what demons are, faceless people like natural disasters, ripping one out of the comfortable world and setting one down in another, more sinister one?”
“The Renegade” (1949) starts off with a family adjusting to a new life in the country. Mrs. Walpole gets an unsettling phone call from a neighbor who smugly informs her that the Walpoles’ dog has been killing his chickens.
The deal in this town is, a chicken-killing dog gets shot, and fast. Clearly, poor Lady is doomed, and Mrs. Walpole can’t stop it. Another neighbor suggests tying a dead chicken around Lady’s neck, until it rots away. Still, everybody (except Mrs. Walpole) expects Lady to get shot. Even the Walpole children gleefully anticipate Lady’s decapitation from a spiked dog collar.
But (
Gradesaver.com asks), who
is the “Renegade” of the title? Lady, who can’t stop killing chickens, or Mrs. Walpole, who stands out from the mob?
Out of all the stories in this collection, “
The Lottery” (1948) packs the biggest punch. It begins innocently enough: cheerful villagers collect in the public square for their age-old, annual lottery. Kids stuff their pockets with stones, “selecting the smoothest, roundest ones,” Jackson writes. Finally there’s a huge pile of stones in one corner of the square.
All morning, families chit-chat and act neighborly. There’s soft laughter when one woman, Tessie Hutchinson, shows up last, saying, “Clean forgot what day it was.” She’d been busy washing dishes, and thought her husband was outside, stacking wood.
People are eager to get started, so they can go home and eat lunch, and get back to work. Old Man Warner complains that most other villages have given up the lottery: “ ‘Next thing you know, they’ll be wanting to go back to living in caves,’ ” he says; then he quotes, “ ‘Lottery in June, corn be heavy soon,’ ” before declaring that there has always been a lottery.
The male household heads draw first, for their families. When Bill Hutchinson picks the marked slip, his wife Tessie freaks. “ ‘It wasn’t fair,’ ” she says. “ ‘You didn’t give him enough time to choose.’ ” That’s when we realize that this lottery is not about money.
It’s down to the five Hutchinsons. As each chooses, we know something horrible is looming. “I hope it’s not Nancy,” Nancy’s teen classmate whispers. The crowd is relieved when Little Davy’s slip is blank.
It’s Tessie who’s the “winner.” “It isn’t fair; it isn’t right!” she screams.
What happens next will horrify you. This story is just as shocking sixty years later.
That is the magic of Shirley Jackson.